SPANISH///CASTLE///MAGIC

cjwho: outside-in: the infinite garden by meir lobaton corona + ulli heckmann all images © fabio ferrario
 the ‘outside-in’ garden by architects meir lobaton corona and ulli heckmann, is conceived as a visual paradox for the 22nd international garden festival of chaumont sur loire, france - a device that enhances conditions in order to make the audience realize how by relying only on sight, they rely on imagination. the intervention provides a sense of how vision can become a shield that precludes the possibility of having a holistic experience of life - one that involves the entire body and that extends beyond it.cjwho: outside-in: the infinite garden by meir lobaton corona + ulli heckmann all images © fabio ferrario
 the ‘outside-in’ garden by architects meir lobaton corona and ulli heckmann, is conceived as a visual paradox for the 22nd international garden festival of chaumont sur loire, france - a device that enhances conditions in order to make the audience realize how by relying only on sight, they rely on imagination. the intervention provides a sense of how vision can become a shield that precludes the possibility of having a holistic experience of life - one that involves the entire body and that extends beyond it.cjwho: outside-in: the infinite garden by meir lobaton corona + ulli heckmann all images © fabio ferrario
 the ‘outside-in’ garden by architects meir lobaton corona and ulli heckmann, is conceived as a visual paradox for the 22nd international garden festival of chaumont sur loire, france - a device that enhances conditions in order to make the audience realize how by relying only on sight, they rely on imagination. the intervention provides a sense of how vision can become a shield that precludes the possibility of having a holistic experience of life - one that involves the entire body and that extends beyond it.cjwho: outside-in: the infinite garden by meir lobaton corona + ulli heckmann all images © fabio ferrario
 the ‘outside-in’ garden by architects meir lobaton corona and ulli heckmann, is conceived as a visual paradox for the 22nd international garden festival of chaumont sur loire, france - a device that enhances conditions in order to make the audience realize how by relying only on sight, they rely on imagination. the intervention provides a sense of how vision can become a shield that precludes the possibility of having a holistic experience of life - one that involves the entire body and that extends beyond it.cjwho: outside-in: the infinite garden by meir lobaton corona + ulli heckmann all images © fabio ferrario
 the ‘outside-in’ garden by architects meir lobaton corona and ulli heckmann, is conceived as a visual paradox for the 22nd international garden festival of chaumont sur loire, france - a device that enhances conditions in order to make the audience realize how by relying only on sight, they rely on imagination. the intervention provides a sense of how vision can become a shield that precludes the possibility of having a holistic experience of life - one that involves the entire body and that extends beyond it.

cjwho:

outside-in: the infinite garden by meir lobaton corona + ulli heckmann

all images © fabio ferrario


the ‘outside-in’ garden by architects meir lobaton corona and ulli heckmann, is conceived as a visual paradox for the 22nd international garden festival of chaumont sur loire, france - a device that enhances conditions in order to make the audience realize how by relying only on sight, they rely on imagination.
the intervention provides a sense of how vision can become a shield that precludes the possibility of having a holistic experience of life - one that involves the entire body and that extends beyond it.

Reblogged 57 minutes ago from architectureofsilence (Originally from cjwho) 348 notes
philosoflee: “The final piece of the spire at One World Trade Center is lifted into place in New York, May 10, 2013. The tower now rises to a symbolic 1776 feet, making it the tallest building in the western hemisphere. INSIDER IMAGES/Gary He (UNITED STATES)” philosoflee: “The final piece of the spire at One World Trade Center is lifted into place in New York, May 10, 2013. The tower now rises to a symbolic 1776 feet, making it the tallest building in the western hemisphere. INSIDER IMAGES/Gary He (UNITED STATES)” philosoflee: “The final piece of the spire at One World Trade Center is lifted into place in New York, May 10, 2013. The tower now rises to a symbolic 1776 feet, making it the tallest building in the western hemisphere. INSIDER IMAGES/Gary He (UNITED STATES)” philosoflee: “The final piece of the spire at One World Trade Center is lifted into place in New York, May 10, 2013. The tower now rises to a symbolic 1776 feet, making it the tallest building in the western hemisphere. INSIDER IMAGES/Gary He (UNITED STATES)” philosoflee: “The final piece of the spire at One World Trade Center is lifted into place in New York, May 10, 2013. The tower now rises to a symbolic 1776 feet, making it the tallest building in the western hemisphere. INSIDER IMAGES/Gary He (UNITED STATES)”

philosoflee:

“The final piece of the spire at One World Trade Center is lifted into place in New York, May 10, 2013. The tower now rises to a symbolic 1776 feet, making it the tallest building in the western hemisphere. INSIDER IMAGES/Gary He (UNITED STATES)”

Reblogged 1 week ago from travelthirst (Originally from philosoflee) 719 notes